Late Roman Art

NARRATOR During the Roman Empire, the educated citizens were great admirers of classical Greek art, so much so that they often copied or closely imitated great works of Greek art. This Roman-era marble relief of a wounded warrior is modeled after a renowned Greek work made five to six centuries earlier in the 5th century B.C.

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Late Roman Art Causes and Characteristics. Christianity was not the principal cause of the artistic changes in Late Antiquity. Christianity was only one among many spiritual movements that started in the East and flooded the Roman environment with rites, cults and sects. Christian art did not make an impression as of something new - rather it

Alois Riegl's Late Roman Art Industry has been one of the most influential books in the historiography of art and archaeology since its publication in Vienna in 1901. Riegl's treatise fundamentally altered the way Late Antique art was perceived and evaluated by historicising vision and theorising the relativity of aesthetic ideals.

From the late second century, Roman art increasingly depicted battles as chaotic, packed, single-plane scenes that emphasize dehumanized barbarians who are subjected mercilessly to Roman military might, at a time when in fact the Roman Empire was undergoing constant invasions from external threats that led to the fall of the empire in the West

Unlike classical art, late antique art does not emphasize the beauty and movement of the body, but rather, hints at the spiritual reality behind its subjects citation needed. Additionally, mirroring the rise of Christianity and the collapse of the Western Roman Empire, painting and freestanding sculpture gradually fell from favor in the

26 Chapter 6.5 Roman Art The Late Antique Style, Roman Architecture and Innovation THE LATE ANTIQUE STYLE. The style of Roman Imperial art was dependent on the naturalistic and idealistic tendencies of Greek art. The Romans even superseded the Greeks in their ability to create an illusion of space and depth in their reliefs.

At the same time, the economic struggles of the Late Roman Empire undermined investment in the artists' workshops where the naturalism of classical Roman art had been taught to generations of artists. Lacking the traditional training, means, and patrons who valued classicism, artists during this period often worked in a more static, two

Until relatively recently, art historians viewed the blocky sculptures and use of spolia in the arch as signs of poor craftsmanship, deficient artistry, and economic decline in the late Roman Empire this reading is now almost wholly rejected by art historians.

Roman sculpture did, however, begin to search for new avenues of artistic expression, moving away from their Etruscan and Greek roots, and, by the mid-1st century CE, Roman artists were seeking to capture and create optical effects of light and shade for greater realism. The realism in Roman portrait sculpture and funerary art may well have developed from the tradition of keeping realistic wax